A Stray is a U.S. American film in English, Somali, and Arabic about an older teenager living in Minneapolis's Somali refugee community. Adan has stolen some of his mother's jewelry as well as $50 so she has kicked him out of their apartment in the projects. He could return the jewelry and be forgiven, but he doesn't want to (or something), so he goes to live on the street. Adan is hungry and tired, but a very charismatic and fun person. Played by Barkhad Abdirahman (who was the youngest of the pirates in Captain Phillips), Adan is charming and immediately lovable.
And then he finds a stray dog and gets more lovable. For someone who is mostly homeless, the dog causes even more trouble.
But... all of this trouble has been contrived by the film's writer-director Musa Syeed. A Stray feels like a manipulative narrative from the first. The director puts Adan in a series of situations that comprise the plot of A Stray, but Syeed does not explain the material conditions that put Adan and his mother in those situations, and Syeed doesn't let us into Adan's own decision-making processes enough to explain how or why he gets himself out of those situations. So, Adan is homeless and has no job and he wants to pray but can't figure out how and is being manipulated by the FBI, fine. But all it takes is a stroke of Syeed's pen and Adan can have a home, a job, and a religion again. And the FBI can go fuck themselves. No biggie. The stakes are all just so low.
What's sort of a shame about A Stray is that I am sure the Somali refugee community in Minneapolis and in other places in the U.S. has all kinds of real crises and issues, not the least of which, I am sure, is related to being Muslim in a nation whose laws and culture are overwhelmingly biased toward Christians. But A Stray is not really interested in that. For A Stray, there is no ill in the world that can't be solved with the simple addition of an adorable puppy.