I liked Cassandra's Dream or, rather, I wanted to like Cassandra's Dream, but it doesn't work. This is because it thinks it is a suspense film à la Match Point, but it isn't a suspense film at all. What the movie could have been is a really interesting character study. Cassandra's Dream focuses around two brothers: Colin Farrell (love him) and Ewan MacGregor (love him, too), their financial difficulties, and the murder they eventually decide to commit in order to help themselves out of their financial difficulties. MacGregor's character is fine with the murder, it upsets him slightly, but he focuses on the future and lets it go. Farrell's character is affected deeply by the murder and becomes depressed, irrational, uncontainable. You can probably guess where this is all headed and the movie (up until the very last minutes of the film) is incredibly straightforward and is almost boring in its predictability. Unlike Match Point, I always felt like I knew what was going to happen in this film. My point is that there is no suspense. We know what is going to happen. The characters, however, are fascinating, and turning a focus toward the study of character—and the excellent acting talent of the film's leads—would have been the way to make this film worth watching. As it is, Allen (one of my favorite directors of all time, in case you didn't know) focuses on suspense that never builds and tension that never rises.
Cassandra's Dream, unfortunately, is almost a total misfire. Well acted, well conceived, but ill executed.
No comments:
Post a Comment