Up is the story of an old white man who, in order to keep a promise to his deceased wife, transports their old family home from the middle of the city by tying thousands of balloons to the grate in the fireplace and floating it to South America. This is the stuff of movie magic: a rainbow of translucent balloons sailing by the windows of city-folk, busying themselves about their days. The rest of the film is much more conventional. In fact, the rest of the film is essentially one of the oldest movie narratives there is; to wit, a curmudgeonly, misanthropic old man meets a young kid who depends on him completely, and so the old man shows his true colors—invariably the feelings owned by a heart of gold—which had (but you knew this) been there all along, they just needed someone to love.
Conventional though it is, Up is at times breathtaking, frequently very funny, and nearly always visually (if not narratively) imaginative.
The story... is the story of a horror movie, basically. Coraline is never disturbing enough that it would be inappropriate for children, but it is incredibly unnerving almost at all times, and visually... visually the movie is just wonderful. Again and again and again my jaw dropped in disbelief at the things that Coraline puts on the screen. It's a beautiful movie, well worth your time. Compared to Up, Coraline knocks it out of the water.
I actually had to explain the "rest of the film" to a friend of ours, because he said the preview didn't give very much as far as what the movie was about. I was kind of sad to have to do that, it did seem so obvious from the trailers.
ReplyDelete