Love and scandal are the best sweeteners of tea. —Henry Fielding

02 November 2019

Blackboard Jungle (1950)

Well... Blackboard Jungle is about teaching high school in the inner city – I think we're supposed to be in Chicago. Glenn Ford plays the protagonist, and I love watching Ford at all times, so Richard Brooks' movie definitely has that going for it.

But I am hung up on the title, and if you look at this poster and combine the title with the poster, you get a series of images that are designed to communicate an old message. White woman, torn dress (or is it just hanging off the shoulder?), inner city kids, jungle... well it becomes fairly clear that we are in race-baiting territory.

Blackboard Jungle, to its credit, looks like it's selling one thing (a story about black students being unruly or unmanageable), but it's selling something altogether different. This is a film where race is everywhere and constantly being discussed, but this is not a film about race, and I'm not sure it has anything to say about race, either. Sidney Poitier plays the most important black kid in Ford's classroom, and it's hard not to love Sidney Poitier no matter what you're doing. Poitier's character turns out to be all right, as the kids in the '50s used to say.

This movie has good intentions, I think. But it takes a kind of colonialist or parochial tone that I found annoying, upsetting, and ill-advised. In many ways, Blackboard Jungle sees juvenile delinquency as a problem with the kids themselves and not their environments. The film's script attenuates this at certain points, but mostly Blackboard Jungle understands this to be the kids' behavior to be the kids' fault. I am skeptical.

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