11 June 2024
Evil Does Not Exist (2023)
I liked Evil Does Not Exist (悪は存在しない) so much better than Drive My Car and Wheel of Fortune and Fantasy! This is a mysterious, slow-building eco-thriller that had me thinking about it hours and hours after I watched it. The film is still bogged down by Hamaguchi’s penchant for long sequences of boring conversations in cars and other static locations, but weirdly those worked for me better in Evil Does Not Exist. And because the movie begins much more slowly and contemplatively, I forgave the long conversations in the car and at the community center. The ending is great!!
13 March 2022
Oscar Nominations 2021: 2 of 9
1. The Power of the Dog, Dune, Belfast, and West Side Story
- Picture
- Actor: Will Smith (The Pursuit of Happyness, Ali)
- Original Screenplay: Zach Baylin
- Supporting Actress: Aunjanue Ellis
- Film Editing: Pamela Martin (The Fighter)
- Song: Beyoncé Knowles-Carter & DIXSON
I get the sort of heartswell that this movie produces, I think, but I just didn't respond the way most others did. It felt like a movie with very few stakes. Like... will Venus and Serena become the best tennis players in the world? I just don't know! I think I wanted something more complicated and less hagiographic. In any case, most other people I know really liked this film, and Will Smith has been the anointed frontrunner for Best Actor since this movie appeared in theatres. It was nowhere near one of my favorite performances of the year, but Smith is an excellent actor and a big movie star, and he doesn't have an Oscar yet. I am going to be happy to watch him win one. Aunjanue Ellis is a jobbing actor who has been working steadily for about 20 years, and it's great to see her get some recognition. She won't win on March 27, but her nomination is good news. Beyoncé has actually never been nominated for an Oscar, so, as this is their first opportunity to give her one, I think the Academy will choose to do so. While we're talking about Best Actor, I want to say that I am really, really sad that Simon Rex didn't make it into this category. His performance in Red Rocket is astounding; he's wonderful. You can see my other favorite performances here.
- Picture
- Director: Hamaguchi Ryūsuke
- Adapted Screenplay: Hamaguchi Ryūsuke & Oe Takamasa
- International Film: Japan (Shoplifters, Departures, The Twilight Samurai, Muddy River, Kagemusha: the Shadow Warrior, Sandakan No. 8, Dodes'ka-den, Portrait of Chieko, Woman in the Dunes, Kwaidan, Koto, Immortal Love, The Burmese Harp, Samurai 1: Musashi Miyamoto, Gate of Hell, Rashomon)
- Picture
- Original Screenplay: Adam McKay (Vice, The Big Short) & David Sirota
- Film Editing: Hank Corwin (Vice, The Big Short)
- Score: Nicholas Britell (If Beale Street Could Talk, Moonlight)
This is a pretty good movie. I didn't really like it, but it's a solid picture, and I laughed quite a lot. It's a really smug movie, though, and I guess that's Adam McKay in general, so there's no getting around that. Nicholas Britell's nomination was a bit of a surprise, and I'm happy to see him there. I don't think this can win anything, but it could maybe eke out a screenplay win. McKay won the screenplay award for The Big Short, and people do tend to like the kind of milquetoast politics Don't Look Up is peddling. But listen, I'm really not trying to be hard on this movie, and in fact, it deserved an Original Song nomination that it didn't get. I was in love with the Ariana Grande song in this movie, with hilarious lyrics like "Just look up / Turn off that shit-box News / 'Cause you're about to die soon everybody". It was one of the best things in the movie! Ariana Grande was robbed.
Will Win: N/A
- Picture
- Cinematography: Dan Laustsen (The Shape of Water)
- Production Design: Shane Vieau (The Shape of Water) & Tamara Deverell
- Costume Design: Luis Sequeira (The Shape of Water)
4. The Tragedy of Macbeth, Encanto, No Time to Die, and Flee
5. Tick, Tick... Boom!, Parallel Mothers, The Eyes of Tammy Faye, and The Worst Person in the World
6. Cruella, Spencer, The Hand of God, and Lunana: a Yak in the Classroom
7. Cyrano, The Mitchells vs the Machines, Luca, and Raya and the Last Dragon
8. Spider-man: No Way Home, Shang-Chi and the Legend of the Ten Rings, and Free Guy
08 January 2022
Drive My Car
Drive My Car (ドライブ・マイ・カー) is a good movie. It's a slow burn, but it has some truly beautiful sequences in it, and I loved every moment that we spent in the theatre. Rehearsals were fascinating, and the finished theatre product (with which the movie ends) was heartbreaking and gorgeous. This is a film about grief and loss and wanting to hold onto what we have instead of appreciating what we have. But it's just not a great film. It never takes off and begins to soar, really.
And, I have to say, the Murakami-ness of it all annoyed me. I think maybe I am one of the only people I know who doesn't love Murakami. But I don't understand why he introduces so many elements into one story. Often they appear (as with the driver's mother's dissociative identity disorder – is that what it was? – at the end of Drive My Car) just for one sequence and they never come back again. I find this annoying, like he's giving me 15 extra pieces for a jigsaw puzzle that just never fit, even when the puzzle is done.
Don't get me wrong, the acting is great (Hidetoshi Nishijima and Yoo-rim Park are especially wonderful), the filmmaking is beautiful, the music is lovely. But this is a long and talky film that, for me, never quite lifted off.
