Love and scandal are the best sweeteners of tea. —Henry Fielding

04 April 2026

The Drama (2026)

Kristoffer Borgli's film is a romantic comedy, first and foremost. And it works very well as that, with plenty of laugh-out-loud moments. (Jeremy Levick had me cackling.)

The Drama tries for something more than this, though, and it mostly succeeds, skewering today’s culture of moral superiority. It also manages to be a really intriguing critique of our American eroticization and affection for guns and gun violence. I’m not sure the film does more than open these topics, but I guess I’m not sure it needs to. 

I certainly haven’t left a theatre talking with my companions quite this much in a while. It gave us lots to chew on: What would you do? How would you feel? Why didn't he recover more quickly? We would feel very differently if it was him and not her, wouldn't we? 

The one thing that I think we can all agree on is that Alana Haim’s character is the worst person—and the worst thing that character did is much worse than the worst thing anyone else did. I am of two minds about the horribleness of Alana Haim's character, though. On the one hand, it feels good to feel morally superior to her. She's just so awful, and so clearly in the wrong about everything. On the other, it seems to me that one of the film's central points is, perhaps, that we ought not to be so invested in moral superiority as such.

In any case, I quite enjoyed The Drama. It's worth seeing and it's worth talking about.

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