Love and scandal are the best sweeteners of tea. —Henry Fielding

04 October 2021

The Heart Is a Lonely Hunter


It's weird. I loved this novel so much, but it seems like director Robert Ellis Miller and screenwriter Thomas C. Ryan thought the novel was about something much different than I thought it was. In the first place – and most strangely – they cast Sondra Locke in the role of Mick, which really transforms the part from someone who doesn't fit in and can't make sense of her world into something else... a girl who's gonna be alright. The whole thing felt sort of weird. This is a novel about longing and dissatisfaction and frustration. But the screenplay eliminates two of the central characters early on, and spends its time focused on (what the movie figures as) a poor, white straight girl. Sigh. It's a giant missed opportunity, and I suppose it might one day be made into a good movie or tv series. 

Alan Arkin, to be fair, is great. Even more, Laurinda Barrett is excellent, and so is Cicely Tyson, but of course the film's focus is on Sondra Locke, who is terribly miscast. It throws off the whole picture.

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