Love and scandal are the best sweeteners of tea. —Henry Fielding
Showing posts with label anna boden. Show all posts
Showing posts with label anna boden. Show all posts

15 September 2011

Smart about Race

So, on the way back from Chicago this summer, Julien, Becky and I were talking about The Help. The movie hadn't been released yet, but both Becky and I were skeptical. Julien asked about our skepticism. Do you think the movie will be racist?

The point, I said, was not that the movie would be racist. Most everything is racist. Hollywood itself, for that matter. But when I think about films, I told Julien that I think some films are smart about race and some films are stupid about race. I assumed from the trailer that The Help would be stupid about race.


I was right. The Help is actually extremely stupid about race. From its total ignorance about the state terror under which black people lived (and continue to live) in the South to its insistence on black women's love for the white children they're forced to raise to the almost total absence of black men in the film to the humorous way The Help deals with black women's fear of white men, The Help is just dumb about race.

Any film with a magic negro in it falls in the category dumb-about-race for me.

But all this got the three of us to thinking about what films are smart about race. I might need some feedback on this. I could not think of that many. These are the films I could think of:

Two films by Anna Boden and Ryan Fleck: Sugar and Half Nelson. The first is about a baseball player from the Dominican Republic who comes to the U.S. and is transplanted to a midwest farm team. The second is about a teacher who is addicted to crack. Half Nelson in particular taught me about my own racist prejudices when I watch a film. That film stars Ryan Gosling and Anthony Mackie. So good.

I also recently watched the film Claudine from 1974 with Diahann Carroll and James Earl Jones and found it funny and moving and extremely smart about race.

I always thought Monster's Ball was pretty smart about race, too, but it's been a while since I saw it, so I can't remember that all that well.

Of the films I've seen in the last ten years:
Precious.
The Class.
The Visitor.
The Last King of Scotland.
Caché.
Junebug.
Harold & Kumar Go to White Castle.
Dirty Pretty Things.
Raising Victor Vargas.

There are probably a couple more that I am missing here. Anyhow, the point is: the list as such is not very long.

Thoughts?

04 January 2010

Azucar

I know you haven't seen Sugar but you really must. Sugar was released in indie theatres in April or so and is the new film from Anna Boden and Ryan Fleck, the duo who made the brilliant Half Nelson.

Sugar follows a young pitcher from the Dominican Republic as he moves from a baseball training camp in the DR to Houston TX to playing Double-A baseball in the middle of Iowa. When Sugar moves to Iowa he boards in the home of an older midwestern couple, attends their church with them, and eats meatloaf.

This film is superb. It is a fascinating exploration of the globalization of baseball, but also a moving story of a young man who dreams of "America." It also is an interesting new perspective on ever-present USAmerican issues like race and poverty.

It's also a baseball movie, but light years away from a film like The Natural. Sugar is about how hard baseball can be. It is about growing up and leaving home and following your dreams. It is also is really smart about the Nationalist/Patriotic sentiments which inhere in baseball fandom and how those sentiments square with supporting players who are not only from other countries but speak only Spanish. The Great (Pan-)American Pastime indeed.

At any rate, you really must see this movie. You will remember that Half Nelson was a very high #3 on my list for 2006. I loved that film and I love this one.

11 December 2006

Film Update

I am a shitty film blogger.

The Fountain, new from Darren Aronofsky (his last film was 2000's Requiem for a Dream) is amazing. Aronofsky ought to never wait do long to make a movie again. I loved this movie. It's a visual stunner and the imagination of Aronofsky is front and center with the movie. I know some will have trouble with the movie, but I absolutely loved it. It's not terribly intelligent or new or anything, but the techniques he uses are so wonderful and it is easily the most beautiful film of the year. Hugh Jackman is absolutely wonderful in the lead role(s). And there is a totally hot, wonderfully filmed sex scene in a bathtub. Did I mention the movie is breathtakingly gorgeous?

Ask the Dust is a competent, slow-paced movie from legendary screenwriter-turned-director Robert Towne (you know who he is. He wrote Chinatown.) It's okay. No great shakes. An Italian immigrant and a Mexican woman fall in love in 1933 Los Angeles. Some of the movie is done really, really well. Colin Farrell is very good (if far too good looking for the part) and so is Salma Hayek. The plot is rather conventional, though, and it doesn't really have much new to say. Shrug. It was good.

Half Nelson is one of myn ew favorite films from this year. I loved it. It's about a drug addicted high school teacher in an inner city neighborhood. It's a movie with very few answers and a lot of really intriguing, honest questions. The two main performances, from Ryan Gosling as the teacher and Shareeka Epps as his young student are absolutely extraordinary. Epps is a total puzzle. She is the toughest little girl you've ever seen and yet she has a smile that can make you feel like you've never seen anyone smile before. Gosling is superb, haunted. The movie is about so many things: mostly addiction, race relations and teacher-student relations. I cannot recommend it enough. I think it's the smartest movie I've seen this year. Go see it!

Blood Diamond is retarded. Skip this bullshit. It's an Edward Zwick party and it's idiotic as all Hell. I think I disliked it more than last year's Munich. Spielberg's movie was at least well-made.

Happy Feet is a total mess too, but also totally fucking fun. Penguins that dance like Savion Glover. You can't really screw that up. It's also a movie about religious fanaticism and environmental protection in the Antarctic and growing up different (gay?--I think so). I liked it quite a bit. It's very silly but totally ridiculous and therefore fun. There are even these little tiny Adélie penguins that all speak Spanish. It's hilarious.