Love and scandal are the best sweeteners of tea. —Henry Fielding
Showing posts with label james gunn. Show all posts
Showing posts with label james gunn. Show all posts

24 February 2024

Oscar Nominations 2023: 7 of 9

We are scraping the bottom of the barrel, nomination-wise, with these five films. These are traditionally the categories that include the worst films, but we will start with a movie that I think everyone liked:

G Minus One (
ゴジラ-1.0)

1 nomination
  • Visual Effects
Director: Yamazaki Takashi
Cast: Kamiki Ryūnosuke, Hamabe Minami, Hidetaka Yoshioka, Andō Sakura, Sasaki Kuranosuke, Yamada Yūki, Aoki Munetaka

This was pretty good. Godzilla looks really amazing in this—he’s a kind of perfect throwback to 1950s Gojira without looking too cheesy—and the script explicitly links the fight against G to Japanese national performance and postwar economics. I found the non-action sequences a little long though, and they telegraphed too much about the final showdown to the audience ahead of time, so it didn’t have the surprise it should have. But, look, I love Godzilla/Gojira (I love monster movies in general), so I enjoyed all of the time I got to spend with the big guy. It's just that Kamiki Ryūnosuke sure did spend a lot of time crying in this. So many tears!
Will win: N/A
Could win: Visual Effects
My rating: #38 out of 81

Guardians of the Galaxy Vol. 3

1 nomination
  • Visual Effects
Director: James Gunn
Cast: Chris Pratt, Zoe Saldaña, Dave Bautista, Karen Gillan, Pom Klementieff, Vin Diesel, Bradley Cooper, Sean Gunn, Chukwudi Iwuji, Will Poulter, Maria Bakalova, Elizabeth Debicki, Sylvester Stallone

I liked the plot of this. It’s smart for a while. But the third act really drags, and at one point I was like oh god there’s still another hour?? I’m into the film’s approach to animals, but at one point the whole thing just becomes too preposterous. And also I didn’t know who a good thirty percent of the characters were. There’s a dog that speaks English? A whistling dude? And they fly a kind of planet-ship with its own ecosystem and gravity? Who lives on this ship with them and why? I don’t know. The stakes of this were lost on me. I get that these Marvel Cinematic Universe movies are made for people who understand the lore a lot better than I do and who, I presume, have seen the other films more recently than I have (the last one came out literally 6 years ago—I’m supposed to remember it?), but I do wish this studio would make its films more accessible to people who aren’t steeped in their lore. But I do love Bradley Cooper. I love him in everything, and I love him in this.
Will win: N/A
Could win: N/A
My rating: #66 out of 81

Golda

1 nomination
  • Makeup & Hairstyling
Director: Guy Nattiv
Cast: Helen Mirren, Camille Cottin, Liev Schreiber, Lior Ashkenazi, Rami Heuberger, Rotem Keinan, Dvir Benedek, Ellie Piercy, Henry Goodman, Ed Stoppard, Dominic Mafham, Ohad Knoller

Nope. Honestly, after Guy Nattiv won an Oscar for his horrible live-action short film Skin, I don't know why anyone would give him money to make a movie. Well, they didn't give him much—Golda was definitely made on the cheap—but still. This movie is awful. In many ways, this is basically the same movie as Rustin. It’s a kind of live-action Wikipedia entry with questionable filmmaking, a terrible screenplay, and famous actors in the roles of recognizable historical figures. Golda just has ultra conservative politics instead of Rustin’s vaguely left-of-center politics. What's almost totally insane about the movie is that it has no connection to soldiers or battles. This is a movie about a war that has no soldiers even as characters; instead, Nattiv gives us the battle sequences with blurry animated footage that is actually impossible to follow. At one point, we watch a battle in a windowless control room, and the score is completely gloom and doom, and we stare at Golda Meier, and she looks miserable, and I thought for sure that things were going very poorly for the Israeli military, but then everyone starts cheering and celebrating. Apparently I was supposed to understand the weird animated footage I had been watching to be a positive thing. It's a mess. There's no reason to watch this movie.
Will win: N/A
Could win: N/A
My rating: #81 out of 81

American Symphony

1 nomination
  • Original Song – "It Never Went Away": Jon Batiste (Soul) & Dan Wilson 
Director: Matthew Heineman

This was not interesting. I think maybe it’s because the film really doesn’t give us access to Jon Batiste, the man at the movie's center at all. In many ways it’s a very cold look at Jon Batiste. Like, obviously the filmmaker loves him, but he doesn’t seem interested in getting any deeper into what makes him tick or what moves him and mostly just stays at the level of oh wow this man is very cool. I mostly feel like not very much happened in this movie, if I’m honest. I mean, sure, there were events, but they are transmitted to us more like news than a personal journey. Jon Batiste gets married, his wife has cancer, and the two of them cope with that together—and also frequently apart. He also works on composing his symphony, although we really don't see any of this process and don't know anything about the music or how he figures out what the music sounds like. I really just don't know anything about this guy after this movie. It feels really odd.
Will win: N/A
Could win: Original Song
My rating: Unranked

Flamin' Hot

1 nomination
  • Original Song – "The Fire Inside": Diane Warren (Tell It like a Woman, Four Good Days, The Life Ahead, Breakthrough, RBG, Marshall, The Hunting Ground, Beyond the Lights, Pearl Harbor, Music of the Heart, Armageddon, Con Air, Up Close & Personal, Mannequin)
Director: Eva Longoria
Cast: Jesse Garcia, Annie Gonzalez, Emilio Rivera, Vanessa Martinez, Dennis Haysbert, Tony Shalhoub, Pepe Serna

This is a movie about a guy who came up with a brand so he could sell more chips. The brand succeeded, and so did he. We are in a very strange moment of capitalism in which viewers are expected to root for a brand. The issue with this movie, though, is simply that not one thing in it feels authentic. The acting is terrible, and the whole thing just feels completely fake. Flamin' Hot occasionally leans into its mythmaking silliness, but not enough. It believes its own story way too much to work. I did like the part where Montañez tells his father off; movies always want to tell us that family is the most important thing, so I appreciated that. I also thought that Montañez's little boy was super cute. We needed more of him. But mostly Eva Longoria's film is a flamin' hot mess. Of course, that doesn't much matter when Diane Warren has written a song for your movie. You're gonna get nominated anyway! Warren has been nominated nine out of the last ten years for the Original Song Oscar, and Flamin' Hot marks her fifteenth nomination. She has never won, and I'm beginning to suspect she never will. The music branch just nominates her every year. I expect to be writing the same thing next year. The reason she's never won, though, is that if you look at the movies she's been nominated for in the last ten years you also won't find anything good. The movies themselves are bad, and she has to know it. I find the Diane Warren nomination to be a very strange annual tradition.
Will win: N/A
Could win: N/A
My rating: #78 out of 81

More posts coming soon:

25 February 2018

Oscar Nominations 2018: Part 10 of 12

Back to Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, or Part 9.

War for the Planet of the Apes
1 Nomination
  • Visual Effects
Director: Matt Reeves
Cast: Andy Serkis, Woody Harrelson, Steve Zahn, Karin Konoval, Amiah Miller, Terry Notary, Ty Olsson, Michael Adamthwaite, Toby Kebbell, Gabriel Chavarria, Judy Greer

Such squandered potential. This movie looks very cool and the first two movies in the series were very cool, but this one overdoes every scene, overplays every hand, and is all around just extra. I think I would be ok with this if it weren't a melodrama, So what ends up happening is that most of what it overdoes is feelings. We have evil villains, we're shown that the alt-right is evil and racist, and every ounce of feeling is milked out of us while a tiny white girl-child looks at us with tears in her eyes. For me this fell flat. There are five options for the visual effects Oscar. The Star Wars movie seems to me the most likely winner – Shape of Water didn't get one, despite its 13 nominations – but I suppose if that one doesn't win, this one will, and last year's winner (The Jungle Book) was a lot like this one: computer-animated animals.
Will Win: N/A
Could Win: Visual Effects
My Rating: #62 out of 82

Guardians of the Galaxy Vol. 2
1 Nomination
  • Visual Effects
Director: James Gunn
Cast: Chris Pratt, Zoe Saldana, Bradley Cooper, Dave Bautista, Michael Rooker, Kurt Russell, Karen Gillan, Pom Klementieff, Vin Diesel, Sean Gunn, Sylvester Stallone, Elizabeth Debicki, Chris Sullivan

I hate to criticize this film for the same thing as I criticized War for the Planet of the Apes, but I was also mostly bored with Guardians of the Galaxy Vol. 2. This is a shame. The first one was so good, that I suppose such a thing is easy to replicate. But this one felt like a great confused mess to me, and instead of Chris Pratt fucking up and getting into trouble, this is about him, like, finding himself and learning his origins or somesuch business. There are so many feelings in this movie. This is just unnecessary! Tell us some jokes, blow some things up, have baby Groot dance. Why take things so seriously? Normally I am really into father–son narratives, but I found this one silly. Vol 2. does have some cool setpieces, and whenever we were in full fight mode I was usually enjoying myself, but I think this movie mostly just returns us to the usual Marvel, it's-almost-the-end-of-the-world-if-only-we-could-save-it formula. This is better than Apes, certainly, but not by much.
Will Win: N/A
Could Win: N/A
My Rating: #55 out of 82

Kong: Skull Island
1 Nomination
  • Visual Effects
Cast: Tom Hiddleston, Brie Larson, Samuel L. Jackson, John C. Reilly, John Goodman, Toby Kebbell, Corey Hawkins, John Ortiz, Tian Jing, Jason Mitchell, Shea Whigham, Thomas Mann

This is the one that deserves to win. It is so much better than the other nominees (including Star Wars and Blade Runner). I really really liked this movie, and I know, I know, it's a King Kong movie, but this one is excellent. Obviously, I love monster movies, and this one gives us monster after monster after monster, but it also does this really well, and it is has some interesting themes to boot. I can't recommend this enough, and although I know it won't win on March 4th, I'll be rooting for it.
Will Win: N/A
Could Win: N/A
My Rating: #19 out of 82

01 February 2015

Oscar Nominees 2015: Part 5 of 12

Part 1. Part 2. Part 3. Part 4.
Part 5 of 12:

Guardians of the Galaxy
2 Nominations
  • Visual Effects
  • Makeup
Director: James Gunn
Cast: Chris Pratt, Zoë Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, John C. Reilly, Djimon Hounsou, Lee Pace, Glenn Close, Karen Gillan, Benicio Del Toro

This was an awesome movie and I loved it. I loved all of its jokes; I loved the way it sent up the seriousness (unintentional campiness) of the Marvel universe; I loved Zoë Saldana; but most of all I loved Chris Pratt. Now, I know everyone loves Chris Pratt these days so this is not any big news or anything, but he is just so lovable! As for Guardians of the Galaxy itself, its use of '80s music, and its interest in anti-heroism make it fun and action-oriented without any of the deadly sentimentalism and nobility we have come to expect from Marvel Studios movies. I can't recommend this enough. It's one of the best action movies of the year.
Will Win: Makeup
Could Win: Visual Effects
My Rating: #33 out of 78


Still Alice
1 Nomination
  • Actress: Julianne Moore (The Hours, Far from Heaven, The End of the Affair, Boogie Nights)
Cast: Moore, Alec Baldwin, Kristen Stewart, Kate Bosworth, Hunter Parrish, Stephen Kunken, Shane McRae, Erin Drake

Julianne Moore is finally going to win an Oscar. And it is about time. She has been nominated four times before (and got close to winning in 2003 for Far from Heaven), but this time it is for real. And one of the things that's great about this is that Still Alice is such a good movie. This isn't a picture that was especially tricked out so that Moore could win awards, this is a sensitive, well-made picture directed by the independent-film directing team who made The Fluffer and Quinceañera. In any case, I loved this movie, and I loved Julianne Moore in it, and I even loved K-Stew.
Will Win: Actress
Could Win: N/A
My Rating: #21 out of 78


Gone Girl
1 Nomination
  • Actress: Rosamund Pike
Director: David Fincher
Cast: Ben Affleck, Pike, Carrie Coon, Neil Patrick Harris, Kim Dickens, Missi Pyle, Patrick Fugit, Tyler Perry, Lola Kirke, Boyd Holbrook, Sela Ward, Emily Ratajkowski, David Clennon, Lisa Banes, Casey Wilson

A badass thriller that I found totally shocking at times. This is also a really interesting feminist film about the ways that women are forced to behave in certain ways and become objects that men can love ("cool girls", the film calls them). But the best part of Gone Girl is watching the nooses tighten around people's necks, watching the plots thicken, and the pleasure of squirming in your seat while someone does something you know is going to turn out really, really poorly. This is a well-shot, well-acted, exquisitely scripted tough-as-nails picture that got totally fucking ignored by the Academy for reasons I don't really understand. Was it too sexy for them? Too much about their television-addled lives? Too hard on its male characters? In any case, Rosamund Pike got a deserved nomination here, even though the film's director, screenwriter, composers, cinematographer, and editor all also deserved nominations. This is one of the great fuckups of this year by the Academy, if you ask me. This movie isn't in my top ten (there are too many good movies this year – not that Oscar is paying attention to many of those) but I know quality when I see it, and this deserved better. It's excellent.
Will Win: N/A
Could Win: N/A
My Rating: #14 out of 78

Deux Jours, Une Nuit (Two Days, One Night)
1 Nomination
  • Actress: Marion Cotillard (La Môme)
Cast: Cotillard, Fabrizio Rongione, Catherine Salée, Baptiste Sornin, Timur Magomedgadzhiev, Christelle Cornil, Myriem Akheddiou, Olivier Gourmet, Serge Koto, 

One of the year's absolute best. Cotillard plays a woman who is trying to go back to her job. To do this she needs the people who work on the floor of the plant with her to vote that she can have her job back. But if they vote yes, their boss has decreed that they will not get their bonus; the bonus will be used for her salary. It's a capitalist nightmare (i.e. real life) staged in human terms. Cotillard is superb and she just barely squeaked out a nomination here over Jennifer Aniston in Cake (whose movie could have gained steam if it had come out earlier). The film itself was submitted by Belgium in the Foreign Language category, but didn't make the January shortlist. The Dardennes, although they make near-perfect films every time they make one, have never been the Academy's particular cup of tea. They've never been nominated before. But, hey, Haneke finally got nominated for Amour two years ago, so maybe it's just a matter of time before the Dardennes are honored. Go see this movie, though. It is another one in my top ten for the year.
Will Win: N/A
Could Win: N/A
My Rating: #3 out of 78