Love and scandal are the best sweeteners of tea. —Henry Fielding
Showing posts with label vincente minelli. Show all posts
Showing posts with label vincente minelli. Show all posts

20 September 2021

The Pirate (1948)

I was not into The Pirate. I like the movie's South American–Caribbean setting, of course, and I love pirate movies, but this is no pirate movie. The main character here is a young girl named Manuela (a name everyone in the film annoyingly pronounces as man-you-ELL-a) who has created a set of romantic fantasies about a pirate. This is Judy Garland, who apparently missed much of the filming because of illness. The stuff Garland appears in is pretty great, but the real star – although not top-billed – is Gene Kelly. The trouble is that Kelly's numbers are just... not that good. Cole Porter's score is dumb, and most of the songs are not good.

I did turn a corner with the film near the halfway mark when Vincente Minelli moved into his full fantasy sequence mode. Kelly does a great pirate dance in a fantasy number wearing tiny black shorts and an open shirt. He looks incredible, and the sequence is very fun. Because it's one of those Minelli's fantasy numbers for which he will become so well known, the whole thing just works so much better than the dumb plot that the musical is so tied to. It's almost as if musicals really aren't integrated.

The movie's final number and reprise, "Be a Clown", are also great. In the first version Kelly and the Nicholas Brothers do some great spins and leaps and turns. The Nicholas Brothers are not really restrained, and Kelly really keeps up with them! It's a fun, acrobatic number. The second version is Kelly and Garland as hobo clowns doing a series of bits and yukking it up as the finale. It's a delightful number and the dancing and comedy are great.

On the whole, though, this is rather a flawed mess, and one wishes "Be a Clown" fit nicely in some other show.

16 August 2021

Bells Are Ringing (1960)

Judy Holliday was honestly a genius. I don't know how she does it, but the comedic timing, the physical comedy, the hilarious faces. She's just amazing and lovable all at the same time. This is a very cute musical with music by Jule Styne, and some of the songs are simply sublime. Having them sung by Dean Martin also makes these songs really wonderful, but the draw here is Holliday – in her last film – playing a role she made famous on Broadway.

I watched Bells Are Ringing on the Criterion Channel, which was showing a bunch of Judy Holliday's movies.

18 May 2021

The Band Wagon (1953)


The Band Wagon
is a neglected gem. The gowns, Mary. The choreography by Michael Kidd! Cyd Charisse! The first number Astaire and Charisse do together is legitimately transcendent. And then the gowns in act three. It's great drag, even if the songs aren't quite memorable.

04 June 2005

Kung Fu

Stephen Chow's Kung Fu Hustle is part Charlie Chaplin, part Akira Kurosawa, part Vincente Minelli and part Zhang Yimou. You might think that this combination would be crap. But oh how wrong you would be. Kung Fu Hustle is hilarious, visually cool, and always inventive.

I've been seeing more Italian cinema than usual, as well. Last night on the recommendation of my boss I saw Luchino Visconti's Death in Venice from 1971. It's very good, but it's not a movie I would go around recommending. It's a very very sad film about death and morality amidst a plague (a symbol, perhaps, for moral weakness) set to the music of Gustav Mahler. Like I said, it's wonderfully made, but I didn't love it. (Sound familiar?)

Friday nights blow... I'm always too tired to really do anything like go out dancing or partying or dating (oh yeah, I don't do that anyway.)

I still don't have a concept for The Two Gentlemen. Why am I suddenly a talentless hack who can't even come up with a concept? Grr. I need to read it again. It will come to me. Maybe it hasn't come because the cast isn't finalized...

Oh... and I got the script that I've been hired to direct in the Fall and the gods must be crazy. Stephen Jeffreys' version of Hard Times clocks in at three hours. What? The Heidi Stillman version you see at right (if you're reading this on my main page) is a totally different animal, evidently, although the characters--and some of the lines--are the same. Hmm. I guess I have my work cut out for me.