Now, Meilin does make a limp wrist gesture earlier in the movie, to be fair. When she first gets on the bus (near the two-minute mark) she says I don't mean to brag, but... and makes that broken-wrist gesture. It is, here, designed to indicate a kind of pretentiousness, I guess. Meilin imagines herself a grown up even though she's plainly not, and she's putting on airs.
But what in the world is this hobo thing doing there? It puzzled me the entire film. It feels like a strange, homophobic moment that the filmmakers just let sit there. It's made doubly weird since the entire plot of Turning Red is a kind of large-scale queer allegory. It's about the messiness of puberty, about choosing your friends and your desires over those of your family. And then the film's big lesson is about how we all have messy parts of ourselves that we hide or don't want to admit to – you know, like sexual interests that feel abnormal – but that we need to learn to incorporate them into our subjectivities.
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