Of course, one of the central features of Eastwood’s directing career is that he is interested in deconstructing and exploring US American masculinity and military and law enforcement regulations. But unlike a later film like Gran Torino or Flags of Our Fathers or even an earlier movie like Unforgiven, this 1986 nonsense actually believes in those values and questions them only in the most superficial ways. Heartbreak Ridge is a cheap, silly version of Eastwood’s later, more critical work.
Marsha Mason is luminous in this, and I adored her and Eileen Heckart, but this movie annoyed the hell out of me.
(I saw Heartbreak Ridge because it was the final film from Oscar season 1987 on my list, and I am a completist.)
No comments:
Post a Comment